MASS EFFECT - task 1.0

 This semester we will shift our focus from layers of surfaces and structures to volume and mass. To begin with this Fall we will be investigating an architectural problem of a sculpted, freestanding mass, independent of the landscape, that contains a carvenous void space. Between the mass and the void is poché. The design of fenestration and the relationship of the interior void(s) and spaces to the exterior will be through massive poché rather than through layers of surfaces as we have done in previous semesters.

We will be looking exlusively at specific projects of Ledoux and Le Corbusier for precedents of mass and volume. There is no particular shape language or vocabulary germane to mass and poché but nontheless these two architects are known for thei use of primary shapes and platonic solids associated with a new kind of formalism. Our studio can use the vocabulary and shapes that have been in vogue in the studio or more primary volumes can be explored. Shape is irrelevant to the theme of mass and volume. What is new to this term is the abandonment of layering and superimposition of surfaces. Instead will use mass and poché.

The first task focuses on the developement of a massive language that highlights the difference between mass and surface. The massive techniques, such as punching and carving, developed in this task may be transferred to your forthcoming design.